Well, I don't know how I did that, but two readers told me that when they clicked on the photo of the customer quilt in the last post, another quilt came up. I had originally loaded this picture to the post and then deleted it because I thought it looked too boring to blog about. Nothing for it but to tell you about it now I suppose.
Keryn is absolutely sick of me playing with my revolting old fabrics and the boring bits from my quilting past. We have so much beautiful fabric and so many inspiring ideas, and I still go back out of a sense of duty and try to finish these abandoned projects. And I can't say I loved them once because the only reason I ever started them was to use fabric I no longer liked.
I made these blocks about three years ago, and I wanted them to look like an old farm quilt I saw on ebay. I wanted to use up funny lights and bits of blues and greens that were hanging around. I like blocks that are just two colours, a light and a dark- simple to sew and then just whack them all together.
I came up with the brainwave that I'll use this as the backing for the double reel top that I just finished, again using up fabric I wanted to get rid of. But I needed two more blocks to make it longer, so I went back to the Drawer of Abandonment.
This time it turned out to be the Drawer of Requirement, because I found a practice block (really yecchy fabric) and another that had the dark and light reversed. I should have made them all like this, they're much more interesting.
So the top(backing) was finally long enough but I had to add borders all around so that it can be loaded on Millhouse and centre the top properly on it. Most of the border fabric top and bottom will be cut away, which is why it looks so incongruous- I just used stuff that could be discarded.
Keryn is away in Melbourne teaching, but I can feel her shaking her head and muttering."Use the Good Stuff, for pity's sake!!" Soon, master, soon!
Read more...
I ditched the wishy washy cream I was going to set these with and chose a vibrant dark red instead. Much more interesting, but the light was so bad I couldn't see what I was doing and gave up in favour of helping the others and watching telly. After all, the Olympics only comes every 4 years, doesn't it?

Except then I kept sewing them every night and now they're all done and ready to be set together, so I guess it's back to the rosettes and my spiral heel-less sock. I figured this would be the ultimate in mindless knitting, just a tube and then a toe. No need to miss any of the action following a pattern.
And this is a customer quilt, from a kit by Pam Holland. The lady wanted it stippled, and by gum she got it! Death by Stippling....?

Can you see the rainbow trailing from the wave? And another silly black speck of a someone.

I'll have enough for a small quilt, and I have some other gorgeous fabric I want to make a large Stack and Whack from, so it's really only a test piece. I just love the possibilities of twisting and turning these bits, sometimes it's hard to decide which you like best.

I chose the latter one but I like the others too. See why I want more of this fabric?






And it's over to Ethel.....
Keryn and I are both in awe of this old machine.She sewed beautifully over the lumpy bumpy wool, and never missed a beat, as long as we didn't let the horribly heavy mass pull against her. At one stage I said it was like sewing through a gigantic cheese sandwich, it was just so thick and spongy, but Ethel trundled steadily along and completed the task beautifully. Sometimes people wonder why we have so many machines, but we can always find one to suit a particular job, and I admire them all for their different strengths.


He was such a good boy, sitting up very straight and minding his manners (he'll never take food unless he's told he can have it), but nothing worked on us old stony-hearts.
PLEEEEEase!!!!!!!!

I've been handsewing my vintage rosettes at night and they go together surprisingly quickly. I've got enough made for another three rows and I think I might try hexagon borders to bring this out to a large single bed size. But I might be sick of it completely by then, so I won't commit myself.


First, there was this on the frame... It's 94" by 105", so this one's big. Not the biggest I've ever done, that honour belonged to a 109" monster that I quilted on my Janome 6500, and I even managed to freehand in the centre of it. Now with our lovely Ms Millhouse I'll never have to do that again, shudder...This took hours and hours, even with the Statler, those rows were looong.
While that's stitching away, quilting one of Keryn's pantos, Country Garden over it..
I get this little baby quilt ready to post back to it's owner. This was a kit quilt, and it turned out very nicely.
A knock at the door, and two more tops come in- but one of them is just a pile of patches and embroidery which we will set together as well! Service is our middle name!
It's done with good ole Celtic Scrolls, always a safe choice for a guy's quilt because it's not flowery and sissy.
Then it's hung up for it's mug shot. I'm keeping a record of all the quilts that we do, and eventually plan to print out each one into a 'brag book', that will also help to show customers what we do. It's nice to look back and see how much we have done, it's easy to forget what you've accomplished sometimes.
This quilt is waiting to be picked up, a first quilt started by a young mother for her first child.That little girl is now two years old, and the mum was thrilled to have found us and get this finished at last.
How did it get to be so dark outside? The days just seem to fly by, and they're full of quilts. And after we stop working on all the customer quilts we go off and sew our own. Perhaps we're more than a 'little' weird......



